First, a list of all the rational reasons that I use encaustic:
- Color: The colors are vividly rich. The suspended pigment in the beeswax allows the brilliant colors to sparkle with energy
- The colors can be opaque or transparent, and can be applied thinly (glazes) or thickly (impasto)
- There can be total coverage of one color with another, with no bleeding through
- Line elements can be as varied as you wish: thin, thick, scraggly or sleek
- Infinite texture capabilities: Textures are easily created, literally and figuratively speaking. From silky smooth to rough, bumpy textures, from the illusion of texture to the real thing
- The surfaces of the work can be textured, smooth, poured, scraped, dipped or incised
- Forms can be created 2-dimensionally or 3-dimensionally
- Wax has an adhesive quality that is good for embedding, pasting, or collaging
- It is quick to "set up" (that is, become a permanent, finished artwork)
- Reworking possibilities are endless, since the wax is malleable with heat
- Encaustic readily lends itself to image transfers
- The layering that is inherent with encaustic gives a sense of space and time
- Encaustic is one of the cleanest and least messy media for the artist
- It is non-toxic when properly used
- It has a sweet smell
- From the moment I began using wax, I felt an affinity to the medium
- I love the feel of the cooled paintings and the lingering beeswax scent
- Paraphrasing from Reni Gower, curator of the show, The Divas and Iron Chefs of Encaustic, wax/encaustic work has a "seductive surface, luminous color and ethereal image layering"
- Encaustic informs my work with the hazy, muted quality that is inherent in memory...necessarily out of focus, but nonetheless, genuine in its authenticity
- Encaustic is a challenge to use. Too much heat, and the image is forever lost...like a fleeting idea that escapes into thin air.
4 comments:
EXCELLENT! A very thoughtful and a very accurate list. It captures my feelings as well. I am going to link to this posting, if you don't mind. Very well done! Thank you.
Jan
Thanks Jan. Encaustic is a mesmerizing medium, isn't it?
Kathyrn,
Thank you for this post. I was touched by your comment of the "hazy muted quality that is inherent in memory" so similar to the look of a tonalist painting which I have been trying to achieve in oil. Yes and one glaze too many and it's lost.
Karen, I see that same quality in your paintings, too. It is an illusive effect both on the surface of the artwork and as a technique. Knowing when to stop is a pretty difficult skill to master, I find!
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